Year: 2024-2025
Client: Microsoft Xbox
Agency: Mutiny
Role: Art Director, Animator

A massive, multi-medium global campaign designed to re-define Xbox's positioning in the gaming industry by proving that "anything can be an Xbox."

Serving as Art Director and Animator, I helped establish the overarching visual identity and led the end-to-end asset production across a high-volume slate of large-format Out-of-Home placements, digital billboards, transit wraps, and future campaign refreshes.

Year: 2026
Client: Call of Duty
Agency: Mutiny
Role: Art Director, Animator

Scavenge to survive, and fight through high-stakes chaos to gain the upper hand in Black Ops Royale. Drop into Avalon, gear up, upgrade weapons, and rely on your instincts in an all-new and unique Call of Duty: Warzone experience rooted in Call of Duty’s first Battle Royale.

Art direction, UI design, and animation for the Call of Duty "Clip the Chaos" community microsite. The platform incentivizes players to upload their craziest in-game clips. The design seamlessly integrates seasonal key art with legacy franchise branding, creating an immersive, high-conversion user flow from the age gate to video submission loops.

Year: 2024
Client: Valorant
Agency: Mutiny
Role: Art Director, Illustrator

Art direction and illustration for a premium influencer campaign. Partnering with the creative team, I designed custom, real-world Xbox controllers tailored to the unique visual identities and quirks of distinct Valorant agents.

These were manufactured and packaged as exclusive promotional drops for top-tier gaming influencers and streamers.

In addition, I worked with fabricators to design and produce a series of custom peripherals: soccer ball, headphones, midi controller, ukelele, trading card, and duffel bag.

Year: 2024
Client: HyperX
Agency: Subnation
Role: Creative Director, Animator

Led the creative and art direction for a dynamic series of product launch motion pieces showcasing HyperX’s 2024 lineup across YouTube and social channels.

We built a stylized, immersive "unboxing room" environment where physics-defying products interacted with a sleek, tech-forward aesthetic. Included is a deep dive into the creative pipeline, featuring early visual identity (VisId) exploration and motion storyboards.

Year: 2023-2024
Client: Philadelphia 76ers
Agency: Subnation
Role: Creative Director, Animator

Creative direction and motion animation for the Philadelphia 76ers' 2023-2024 City Edition uniform launch. This social awareness and sweepstakes campaign honors the enduring spirit of Philadelphia’s Reading Terminal Market.

I crafted a patchwork-style mosaic of digital assets that blended community imagery, apparel close-ups, and environmental elements to evoke emotion and drive fan engagement.

Year: 2026
Client: Blizzard Entertainment
Agency: Mutiny
Role: Art Director, Designer, Animator

A comprehensive suite of multi-channel social and marketing creative supporting the Overwatch 2 seasonal push. My role spanned art direction and asset design, including cinematic atmospheric loops, stylized in-universe faction recruitment posters (Overwatch vs. Talon), targeted game-update static units, and customized holiday social engagement graphics.

Year: 2026
Client: Microsoft
Agency: Mutiny
Role: Art Director, Designer

Developed these keyart options for a pitch to Xbox to promote the Rog Ally Xbox handheld device. The concept ties into the larger “This Is An Xbox” campaign, supporting the idea that everything is an Xbox wherever you are.

The visuals center around placing an oversized Rog into everyday urban settings.

Year: 2022
Client: Ubisoft
Agency: Unfold
Role: Art Director, Designer

Early-stage digital art direction and interactive UI design for Ubisoft's Assassin's Creed franchise.

These look-and-feel explorations focused on establishing a dark, atmospheric web presence, balancing high-impact key art layouts with clean, intuitive navigation options across multiple desktop design iterations.

Year: 2022
Client: Sparq
Agency: Subnation
Role: Art Director, Designer

Fans know that today’s young athletes, the college players they love, are tomorrow’s superstars. SPARQ is about giving fans the opportunity to ‘Play It Forward,’ by supporting their favorite college football players in ways they never could before. Collaborating with SPARQ, college players have created fully animated NFTs based on themselves, and with every purchase of a SPARQ athlete NFT, players receive 80% of all revenue generated from the sale.

We approached the look of the site knowing the audience was younger, skewed male, and would appreciate a more aggressive design style, hence the aggressive orange and technical textural elements.

Year: 2022
Client: Yards Brewery
Agency: Nucleus Digital
Role: Editor, Motion Designer

An authentic, localized social campaign built around capturing the raw energy of a night out in Philadelphia.

Utilizing casual, candid photography and fast cuts, I edited and animated social spots that positioned Yards as an organic part of the local nightlife fabric.

Year: 2018
Client: Hulu/IGN
Agency: Armed Mind
Role: Art Director, Interactive Designer

A psychological-horror series set in the Stephen King multiverse combines the mythological scale and intimate character storytelling, weaving an epic saga of darkness and light, played out on a few square miles of Maine woodland.

Interactive digital design, UI layout, and art direction for Hulu’s promotional launch campaign of the show.

To deeply immerse fans within the shared Stephen King multiverse, I concepted and structured a highly responsive, multi-layered interactive map platform. The design balances a brooding, dark-fantasy visual aesthetic - serving as a high-conversion digital hub that drives community exploration and social sharing.

Year: 2018
Client: IGN
Agency: Armed Mind
Role: Art Director, Designer

Promoting the slate of Marvel series on Netflix, this hub is an MCU fan destination with continuously updating content piped in from the IGN content ecosystem, themed for each of Netflix’s MCU show launches. In addition to the evergreen content pushes, an Ultimate Fan Contest would encourage fan engagement and return visits.

Refreshes included The Punisher, Jessica Jones, Iron Fist, Luke Cage, and Daredevil.

Creative challenge was creating an engaging site the merged branding from IGN, Marvel, and Netflix at the same time.

Year: 2010-2013
Client: Walmart
Agency: Lunchbox Studios
Role: Art Director

Digital art direction for Walmart Soundcheck, an exclusive music streaming and performance platform. I helped to establish a clean, retail-friendly media interface that balanced major corporate brand requirements while keeping the focus on the unique identities of rotating, high-profile musical artists.

Soundcheck was a great experience because we did pretty much everything in-house from the studio in Culver City. Combine that with a corporate powerhouse like Walmart and we were able to attract top-tier talent, creating a truly exclusive experience for fans and music buyers alike.

Year: 2024
Client: Valorant
Agency: Mutiny
Role: Art Director, Designer

Served as lead Art Director and technical design point for a massive, high-volume Out-of-Home (OOH) campaign for Valorant. This project required balancing rigorous technical print specifications and large-scale asset organization across a wide array of physical formats, including highway billboards, digital boards, transit shelters, and other placements.

Year: 2023
Client: Paramount
Agency: Subnation
Role: Creative Director, Illustrator

Creative and art direction for an official Paramount digital collection honoring the deep lore of the Star Trek universe.

I collaborated directly with external illustrators to spearhead a cohesive, premium visual style, translating historic characters, starships, and iconic tech into rare digital collectibles for fans.

Year: 2026
Client: Microsoft
Agency: Mutiny
Role: Art Director

Xbox FanFest is where the Xbox community comes together. Connect with fans who share your passion, celebrate unforgettable moments, and be part of something bigger through events and shared experiences.

Key art and commemorative poster designs celebrating the multi-city FanFest global tour. I explored multiple creative visual directions to capture the milestone, ranging from minimalist, celestial branding alignments to dense, nostalgic montages utilizing legacy Xbox intellectual property.

Year: 2022
Client: Subnation
Agency: Subnation
Role: Art Director, Animator

Art direction, motion design, and editing for a sleek, high-tech digital promotional teaser.

The creative visual language leverages sharp overlays, industrial UI graphics, and fast-paced editing to build tension and present a striking, premium tech aesthetic.

Year: 2019
Client: Ubisoft
Agency: Unfold
Role: Art Director

VISIT LIVE SITE

Embrace the gritty experience of an improvised modern-day guerrilla and take down a Dictator and his son to free Yara.

Interactive web design and art direction for the official launch site of Ubisoft’s blockbuster shooter, Far Cry 6. Obviously one of the big hooks of this game was that they brought in Gus Fring himself, Giancarlo Esposito, as an actual character in the game. The team and I leveraged that notoriety in several ways on the site and through the digital marketing of the game.

The overall look of the site reflects a branding that mixes stenciled military-style fonts and typography with more baroque patterns and textures that speak to life under a (I stress this is fictional) Central American dictatorship.

Year: 2019
Client: Arenanet
Agency: Liquid Advertising
Role: Creative Director, Designer

Guild Wars 2 is an award-winning online roleplaying game with fast-paced action combat, deep character customization, and no subscription fee.

Creative direction and graphic layout for a multi-phase Guild Wars 2 Out-of-Home campaign.

By adapting sweeping fantasy concept art into high-impact wild postings and large-format city posters, the campaign brought the game's expansive art style to the streets of LA.

Year: 2023
Client: Yards Brewery
Agency: Nucleus Digital
Role: Editor, Motion Designer

Motion design and video editing for a high-energy social ad campaign leveraging MLB star Kyle Schwarber’s local iconography. I implemented a fast-paced, mixed-media collage animation style to provide a bold, refreshed look and feel for the brand’s digital presence.

Year: 2021
Client: GoldenVoice
Agency: Unfold
Role: Art Director

Interactive design and digital art direction concepting for Goldenvoice’s premier country music festival, Stagecoach. The web architecture emphasized seamless line-up exploration and a festival-forward visual style optimized for high traffic during ticket drop phases.

Year: 2018
Client: Square Enix
Agency: Liquid Advertising
Role: Creative Director, Animator

Rogue agent Rico Rodriguez journeys to Solis, a huge South American world home of conflict, oppression and extreme weather conditions. Strap into your wingsuit, equip your fully customizable grappling hook, and get ready to bring the thunder!

Creative execution for the global digital launch of Square Enix's Just Cause 4. My role encompassed creative direction, banner layout design, and motion animation across a suite of rich-media digital ads, social media campaign posts, and a series of custom accolades spots.

Year: 2015
Client: Greybox
Agency: Platform LA
Role: Art Director, Designer

Command and customize your own capital ships. Take down opponents in thundering, team-based combat. Dreadnought is a free-to-play shooter that puts you at the center of spaceship battles on a colossal scale.

Full-scale art direction and interactive UI design for the Dreadnought official web presence. The platform was strategically designed to maximize beta conversions while driving player engagement through an interactive spaceship customization module. Included below are the final live-site frameworks alongside early concept explorations showing the structural design process.

Year: 2018
Client: Square Enix
Agency: Liquid Advertising
Role: Creative Director, Animator

Art direction and animation for a massive, synchronized multi-screen video installation at L.A. Live in downtown Los Angeles to celebrate the launch of Kingdom Hearts 3. I designed and timed content across a complex layout of giant LED panels, mapping distinct Disney and Pixar worlds into a cohesive, high-impact experiential spectacle.

Year: 2018
Client: Square Enix
Agency: Liquid Advertising
Role: Creative Director, Animator

As Lara Croft races to save the world from a Maya apocalypse, she must become the Tomb Raider she is destined to be.

Art direction, digital design, and multi-variant animation layouts for the launch of Shadow of the Tomb Raider. These explorations span multiple rich-media display directions ("Eclipse," "Ruins," "Puzzle," and "Temple"), showcasing how visual hierarchy and atmospheric motion were deployed to capture the dark, archeological tone of the game.

Year: 2019-2020
Client: Ubisoft
Agency: Unfold
Role: Art Director, Designer

Immortals Fenyx Rising brings grand mythological adventure to life. Play as Fenyx on a quest to save the Greek gods.

Interactive UI/UX web design and digital art direction for Ubisoft’s open-world mythological adventure, Immortals Fenyx Rising. Tasked with capturing the game's vibrant, whimsical, and stylized aesthetic, I worked to develop a highly immersive desktop and mobile web ecosystem.

Year: 2017
Client: Warner Brothers Interactive
Agency: Platform LA
Role: Art Director, Interactive Designer

Following the end of Superman's totalitarian reign over the Earth, Batman and his allies attempt to piece the world back together only to be faced with a new threat that will cause them to do the unthinkable.

Bummer, right? We leaned into it.

The team developed comprehensive interactive web design, UI/UX architecture, and art direction. The site served as the ultimate hub for fans, blending DC Universe aesthetics with functional UI. The site showcased character rosters, trailers, and community updates, driving pre-orders and game-launch awareness.

Year: 2013-2014
Client: Square Enix
Agency: Platform LA
Role: Art Director, Motion Designer

Join over 30 million adventurers worldwide and take part in an epic and ever-changing FINAL FANTASY. Experience an unforgettable story, exhilarating battles, and a myriad of captivating environments to explore.

Digital design, asset layout, and motion animation for the massive relaunch campaign of Square Enix’s Final Fantasy XIV. Crafted a suite of high-impact digital advertising assets, dynamic takeovers, and rich-media banners that leaned heavily into the franchise's legendary key art to drive beta sign-ups and player acquisition.

Year: 2015
Client: Sega
Agency: Platform LA
Role: Art Director, Motion Designer

Motion graphics direction, kinetic typography, and visual editing for SEGA and Double Fine Productions’ launch trailer for The Cave. Infused with the game's distinct, darkly whimsical aesthetic, I helped create a custom broadcast graphics package featuring stylized character title cards, atmospheric lower-thirds, and punchy transitions.

This one was a fun challenging project. I took game and keyart pieces and used those to build an approximate side-scrolling graphics style, utilizing z-space to give variety in the depth and motion.

Year: 2015
Client: Square Enix
Agency: Platform LA
Role: Art Director, Motion Designer

Rise of the Tomb Raider is an action-adventure video game developed by Crystal Dynamics and published by Square Enix. It is the sequel to the 2013 video game Tomb Raider, a reboot of the franchise of the same name.

Celebrating the release of the new game, this promotion urges users to pre-order and gain access to a variety of social media puzzles. These puzzles unlock game extras, DLC, and the chance to win a variety of prizes.

Year: 2015
Client: Crystal Dynamics
Agency: Platform LA
Role: Art Director, Designer

Interactive web design, UX/UI architecture, and digital art direction for the complete global re-design of the official Crystal Dynamics studio website. The project focused on modernizing the legendary game studio's digital footprint, transitioning from legacy web frameworks to a sleek, media-rich, and fully responsive platform.

After visiting the studio in San Francisco, we utilized the textural elements of the office to create a site experience that best represented the soul of the company. I have included a couple of the directions we started off with towards the bottom of the page.

Year: 2011-2012
Client: Canadian Club
Agency: Lunchbox Studios
Role: Creative Director, Developer

Multi-platform digital creative direction cross-promoting Canadian Club with HBO’s Boardwalk Empire. I designed an interactive "heritage tour" app featuring a stylized map of the brand's Prohibition-era archives to drive consumer engagement through history and (ugh) gamification.

We developed the entire experience in Flash, and it was housed on Facebook (back when they did more of this sort of thing), but the Brand Heritage Center experience could have easily lived on its own as a scalable destination, which I wish the client had opted for.

Either way, the project was a success, and combined with the cache of Boardwalk Empire, it was a pleasure to get to play in that sandbox.

Year: 2016
Client: Greybox
Agency: Platform LA
Role: Art Director, Designer

A land of discovery stretches out before you. Explore the beautiful, rugged world of RIME. Armed with your wits and a will to overcome—and the guidance of a helpful fox—you must explore the enigmatic island, reach the tower's peak, and unlock its closely guarded secrets.

I led the creative team in comprehensive visual design and interactive layout for the official Rime experience website.

We created day and nighttime “states” to immerse the user in the experience of the site, as well as designing a couple simple “puzzles” or “experiences” that added engagement and an exploratory vibe to the site, which reflects Rime’s gameplay.

The tower puzzle is a simple sequencing game not unlike Simon says, whereas the Constellation puzzle is a rudimentary connect-the-dots scenario. These puzzle were not designed to be super hard or challenging, but they did increase site awareness and engagement, so I will take that win!

Year: 2017
Client: Warner Brothers Interactive
Agency: Platform LA
Role: Art Director, Motion Designer

Experience an epic open-world brought to life by the award-winning Nemesis System. Forge a new Ring of Power, conquer Fortresses in massive battles and dominate Mordor with your personal orc army in Middle-earth™: Shadow of War™.

Led the art direction and rich-media production for a comprehensive global digital campaign for Middle-earth: Shadow of War. This multi-variant deployment spanned targeted dynamic display banners, interactive takeover units, and social creative designed to drive massive retail pre-orders.

Year: 2009
Client: Nintendo
Agency: Lunchbox Studios
Role: Art Director, Motion Designer

UI/UX design and interactive layout for Nintendo's New Super Mario Bros. Wii retail microsite. Developed to showcase the game's cooperative multiplayer capabilities, the interface utilized vibrant brand alignments, responsive game-world asset layers, and highly intuitive media navigation paths.

Year: 2015
Client: Greybox
Agency: Platform LA
Role: Creative Director, Motion Designer

Art direction and broadcast animation for the official Greybox logo mnemonic. I designed and animated a clean, premium identity sequence that establishes the brand’s visual presence, optimized for deployment across game splash screens, trailers, and corporate media.

Year: 2015
Client: SpikeTV
Agency: Platform LA
Role: Art Director, Animator

Comprehensive broadcast package art direction and on-screen graphics for the legendary Bellator MMA: Alvarez vs. Chandler championship event. Developed a hard-hitting visual language spanning live lower-thirds, fighter matchup cards, animated promo packages, and massive arena-screen motion graphics.

Year: 2015
Client: UbiSoft
Agency: Platform LA
Role: Motion Designer

Fight alone or with friends in For Honor, a third-person hero-based melee fighting game. Enter the chaos of war as a Knight, a Viking, a Samurai, a Wu Lin, or an Outlander.

Art direction, motion graphics, and narrative video sequencing for Ubisoft's For Honor 101 informational trailer. The edit integrates raw gameplay, overlays, and cinematic transitions to distill complex game mechanics and combat systems into a fast-paced consumer guide.

Year: 2013
Client: Square Enix
Agency: Platform LA
Role: Art Director, Motion Designer

UX/UI architecture and visual design for the highly successful Tomb Raider (2013) global fan engagement platform and pre-order sweepstakes microsite. The user experience was built around a highly gamified, interactive progression map that incentivized community trivia, digital puzzle-solving, and social sharing to unlock exclusive retail rewards.

Year: 2016
Client: UbiSoft
Agency: Platform LA
Role: Art Director, Motion Designer

In this stealth-action thriller, a terrorist group known as the Engineers launches the Blacklist, a series of escalating attacks on US interests. Only one man can stop them: legendary covert agent Sam Fisher.

Creative concepting and premium interactive layout design for Ubisoft's Splinter Cell: Blacklist post-launch digital debriefing platform. The design established a dark, technical, espionage-forward aesthetic utilizing military tactical interfaces and data-rich grid modules to track community milestones.

Year: 2013
Client: Square Enix
Agency: Platform LA
Role: Art Director, Motion Designer

Led the art direction, asset management, and digital design pipeline for the massive global launch campaign of Square Enix’s flagship RPG, Final Fantasy XIII.

Tasked with matching the game's futuristic, highly cinematic, and pristine visual aesthetic, I spearheaded the creative development of a high-volume suite of rich-media digital advertising assets and localized web takeovers. The campaign was structurally engineered to maximize global pre-orders and player acquisition, utilizing clean UI layers, high-contrast layouts, and sleek motion graphics that seamlessly complemented the franchise's legendary character key art.

Year: 2017
Client: Warner Brothers Interactive
Agency: Platform LA
Role: Art Director, Motion Designer

Art direction and asset design for a comprehensive, "social-first" digital marketing campaign launching Warner Bros. Interactive's Injustice 2.

The creative strategy prioritized mobile-first, high-velocity vertical video layouts, custom interactive stories, and feed-stopping motion units tailored for all social channels.

Year: 2017
Client: Greybox
Agency: Platform LA
Role: Art Director, Motion Designer

A land of discovery stretches out before you. Explore the beautiful, rugged world of RiME. Armed with your wits and a will to overcome—and the guidance of a helpful fox—you must explore the enigmatic island, reach the tower's peak, and unlock its closely guarded secrets.

Art direction for the title's Nintendo Switch launch, leading a synchronized suite of targeted display banners and retail-driving digital ad assets.

Year: 2015
Client: Crystal Dynamics
Agency: Platform LA
Role: Creative Director, Designer

High-fidelity texture design and environmental asset creation for the Tomb Raider "Obsession Wall" that appears in the game at multiple points. Tasked with translating a complex, narrative-driven mental state into a physical and digital space, I created heavily distressed, layered graphic assets, meticulous map overlays, and historical artifact textures.

Year: 2004-2005
Client: DIY Networks
Agency: Farm Design
Role: Art Director, Animator, Illustrator

This was a long-term project for DIY Network that took place right in the middle of the Flash boom and right before streaming tech got good enough to do all this sort of stuff as video or pre-rendered graphics. Using Flash as a solution here gave the viewer full-frame, fully animated experiences on the web.

Ended up doing about a hundred of these to create a full library of animated vignettes across a range of topics and categories, including home improvement, auto fixes, gardening tips, crafting, and general lifestyle hacks.

Year: 2004
Client: Spike TV
Agency: Farm Design
Role: Creative Director, Animator

Broadcast motion design, title sequence art direction, and post-production editing for Spike TV’s high-profile reality-hoax series, Invasion Iowa starring William Shatner.

The series depicts events from September 2004, in which William Shatner played a hoax on the small town of Riverside, Iowa by claiming to film a science fiction movie there, unbeknownst to the residents of Riverside. The movie was in fact fake, a satire on the genre.

Yeah, yeah, I know. It’s a dated piece. I still like it as it utilizes the After Effects 3D camera to show depth when using 2d elements. The Jib-Jab stuff is… dated. However the song is done by the same folks that brought you South Park. It was my first higher level project. I worked hard on this. Did not get to meet William Shatner (which sucks), but i did meet some very nice people in Iowa. Oldie but goodie.

Year: 2019
Client: Sino Interactive
Agency: Liquid Advertising
Role: Creative Director, Animator

Art direction and high-velocity motion design for an Army Men Strike mobile acquisition campaign. I conceptualized and animated a fast-paced series of vertical Instagram Stories, utilizing stylized toy soldier assets and tactile UX call-outs optimized to drive immediate app store installs.

Year: 2014
Client: Square Enix
Agency: Platform LA
Role: Art Director, Motion Designer

Thief is a stealth video game developed by Eidos Montréal, published by Square Enix, and released in February 2014 for the PlayStation 3, PlayStation 4, Xbox 360, Xbox One and Microsoft Windows video gaming platforms. It is a revival of the cult classic Thief video game series of which it is the fourth installment.

I like the animation on these. Nice handling of fog and smoke, as well as some nice depth on the pan. Creates a sense of mystery and ties in with the game nicely.

Year: 2015
Client: Ubisoft
Agency: Platform LA
Role: Motion Designer

Motion graphics, kinetic typography, and broadcast-ready promotional design for the Trials Fusion "Biker Beat" video series. Infused with a high-energy, irreverent aesthetic, the motion graphics and visual overlays elevate the game's chaotic, physics-based identity across marketing and social channels. Plus Erik Estrada!

Year: 2014
Client: Square Enix
Agency: Platform LA
Role: Art Director, Motion Designer

Murdered: Soul Suspect is an adventure mystery stealth video game developed by Airtight Games and published in 2014 by Square Enix. This campaign centers around the invincibility of the main character.

Led the visual layout execution, asset management, and motion asset creation, which included banners, social media assets, and gaming site takeovers.

Year: 2008
Client: Farm Design
Agency: Farm Design
Role: Art Director, Illustrator

This is my first stab at professional self-promotion. I developed a series of folksy characters to populate my site and other branding items.

I grew up a hick. Rust Belt, Dirty South: did ‘em all. Always been drawn to Reagan-era rural decay. There is beauty there.

Year: 1999
Client: SpikeTV
Agency: Atmosphere Pictures
Role: Illustrator, Motion Design

One of my first professional projects. We created a comic book world for the characters to live in, separating the look of sports graphics packages from similar sports shows on the air at the time.

I only include it out of my early love of the project and to show some learning and growth as a designer and animator.